We are pleased to announce a biography about Richard Galusha called “An Artist’s Journey,” written by Sue Batton Leonard is a 2020 Eric Hoffer Book Award Finalist. The narrative tells the story of the unique influences that drove Galusha’s passion for the arts from childhood to amateur artist to arts educator to professional artist to gallery owner.
We are pleased to reveal the cover of book #2 in the Neighbor to Neighbor Series by Sue Batton Leonard. The book will be available at all major on-line bookstores in early November 2021. We will be adding links when available for internet ordering.
Let the Magic Begin! And begin, it did – all artists faces turned forward, their eyes focused on the model and their canvases. Some blocked in the composition with pencil, another with charcoal etchings on a sketch pad trying to figure out proportions and placement of the figure in the whole scheme of things. Others went right to work blocking it in with their oil paints.
As a bystander, seeing a portrait painting come alive is fascinating and what I call high quality entertainment. There is so much to observe – the differences in how each artist lays down the background, and the color palette used. One artist chose to paint the portrait in a medium other than oils. He used pastels; another artist made a monochromatic sketch. Six different artists looking at the same subject interpreted what they saw differently – style varied among them. And then there were the brushes and how each artist handled them and applied paint depending on the spot they were working on. Sometimes by long strokes others with quick dabs here and there. Of course, painting a portrait in one session means layering wet-on-wet.
As the heat began to build, the shawl Dani Kurta wore was shed. However, at that point all artists had sketched it into their composition. And one other unexpected hitch occurred. The battery in the lighting appliance ran out of charge. Thus, part way through, the light changed, just like the light on a tree in the distance the model focused on shifted throughout the morning. By the way, Dani Kurta is also a photographer‘s model so she used her time wisely as she posed being very observant and learning more about how light change affects what we are seeing and why a photographer might capture her image through the lens of the camera in certain light.
I conversed with artist Collin Cesna during one of the breaks, and he said, “I bet at first you thought what is this hot mess, didn’t you?”
“Yes,” I said, “I did!” But I would never have told him that if he hadn’t asked first. But at some point during the session each one of the “hot messes” began to come together. How the artists brought each blank canvas to the point they did in just three hours is beyond me. But, it is all in the magic of what an experienced artist can do.
images Below: Artist Hal Long (left) and Scott McClelland (right)
Lastly, I would like to say Thank you with gratitude to Pamela Wilde and all the other artists for allowing me to join in, witness and write about a very fulfilling morning. Thank you also to the host Liriodendron Mansion and the Sponsor Maryland Society of Portrait Painters. The extraordinary historic setting certainly added to the fulllness of the experience.
Once Upon a Canvas there was white space. And three hours later, the canvas looked quite different. Here is Part 1 of what happened….
But first… let me set the scene.
Location: The Liriodendron Mansion, Harford County, Maryland. Summer home of Dr. and Mrs. Howard Atwood Kelly, one of five founding physicians of the venerable Johns Hopkins Hospital in Baltimore, MD. Built in the late 1800’s.
Weather: 8:30 am – 75 degrees. At the end of a three hour painting session, 92 degrees. Clear, sunny skies. A chorus of crickets loudly chirping in the background warning of summer’s end. The odors of the oil paint lingering, hanging heavier and heavier under the large portico and the ancient shade trees as the heat and humidity built.
A very patient semi-professional model – Dani Kurta all costumed in more clothing than anyone would be comfortable wearing on any hot summer day.
Props for the Artists: Easels, Pocade Boxes, oil paints and brushes, pastels and miscellaneous art supplies.
Props for the Model: Period clothing, an antique parasol (can’t forget that accessory on a steamy, sunny summers day) and a lovely fan! Proper lighting. And a wardrobe assistant or stylist (Dani Kurta’s mom!).
Sideliners An onlooker who adores art in all it’s forms! Including writing about it, yours truly, Sue Batton Leonard
The story continues below the image. Don’t miss it—
I arrived on the scene early, in time to see the artists spread their drop cloths, position their easels, get their supplies out. In the background the wardrobe assistant helped the model primp and preen and get ready for her three hour session. Decisions were made whether to use both the parasol and fan, how to position them for the best affect. Adjustments were made to the placement of the model’s chair and how the model would most comfortably hold the parasol so the entire weight would not be in her hand. After all, the antique parasol is weighty with a wooden handle and wooden spokes and the fabric is heavy, not like today’s umbrellas made of lightweight steel and nylon.
As the artists continued to set up, all I had to do is tune in and listen to their artists talk about the length of each session (20 minutes of painting then a 5 minute break for the model.) They also conversed about the supplies they were using, and many other matters of painting and exhibiting artwork. Then the lighting was turned on adjusted to a likeable warmth.
Please return to AllThingsFulfilling.com on September 6, 2021 for part two of Once Upon a Canvas brought to you by Sue Batton Leonard from The Liriodendron Mansion. Don’t miss it, there will be lots of colorful pictures!
My love for books and art often leads me to visiting the local library and local fine art and craft galleries when I travel. It is fun for me. My ten year residency in Colorado kept me somewhat in tune with Western art. When I was in Montana this summer, it was fun to revisit the works of artists who are located in the western part of the country,
I witnessed how very young children can enjoy art, too! I walked into the Rialto Theatre in Bozeman, MT and abstracts of horses greeted me. “Neigh, neigh!” a dear little sixteen month old girl, my new grand daughter whom I have finally met, shouted out as she pointed to the equines in the pictures! Frankly, I was surprised she recognized what it was in the abstract. But even the littlest ones, they often don’t miss a thing!
Once finished with the exhibit at the Rialto, next stop was a fabulous fine art gallery on Main Street I had heard of but had never visited before -, Montana Trails Gallery. My daughter-in-law, Meghan, my granddaughter Charlotte, and I had a grand time looking at the exquisite collection and stayed as long as a toddler could tolerate being contained in a backpack.
Once again, my little granddaughter shouted out “neigh, neigh” when she saw the horse paintings and bronze sculptures, “Baa-baa,” she said to the sheep in the pictures, and “moo-moo” to the cows. Ok, in her sixteen-month old experience and opinion, the “doggies” were mislabeled as wolves and foxes. Ah well…perhaps next time we return the labels will be corrected, I think in jest, with a big smile on my face as I remember her sweet little voice calling out to all the “doggies,” and her hands pointing to them as we walked through the gallery.
And lastly during my visit, my son and I took in the art scene at the Bozeman Art Museum. Unfortunately, with my faulty calendar reading we missed the plein air “paint out” two days prior. But on Monday,we did catch up and saw all the works of the Rocky Mountain Plein Air Painters hanging, still wet with paint, at Bozeman Art Museum. I was familiar with a few artists such as Dave Santillanes, from working at the world-class Wild Horse Gallery in Steamboat Springs a few years ago. And the work of Chuck Marshall was familiar as well as Kathy Anderson, who is now represented by West Wind Fine Art, LLC, another superb fine art gallery where I worked when it was in Vermont. If you’d like to see the results of the canvases from the two hour “paint out,” I invite you to visit this link I have posted. Some of the paintings are still available for purchase.
Now, I’m back to East Coast art, which I enjoy immensely too! With the diverse landscape and culture in the United States of America, opportunities abound to share all kinds of art with the next generations. Sydney Gurewitz Clemens once said, “Art has a role in education of helping children become like themselves instead of more like everyone else.” I wholeheartedly agree!
As a life-long library patron, anytime I visit a library I have never frequented before, it’s like library week all over again. I recently visited one in the western part of the U.S.
Bozeman, Montana has a wonderful library. A good indicator of valuing future generations is a willingness to invest in good community resources for learning, information and gathering spaces which inspire discovery.
Located in the fourth largest city in Big Sky Country, the Bozeman Library is light-filled! In a place where winter is long and cold, an active library where one can find connection through book groups, children’s reading programs, at the library coffee shop and at special library sponsored events, is well appreciated. Sometimes getting involved in library activities can become a “life-saver” for those feeling disconnected or isolated.
Art abounds both in the interior and on the surrounding grounds of this and other public libraries around the country.
Through books, we are given the opportunity to fly off to places and meet people we ordinarily wouldn’t! So never discount the value of books and the importance an author feels to engage with others through the written word.
Over the past six weeks, I’ve enjoyed three living history presentations given by Colleen Webster. These events were sponsored by the Harford Artist Association and were well attended. Ms. Webster makes an art out of telling stories about creatives of long ago who left their mark on this world. Thanks to the ephemera they left behind and the protection of copyright laws, their bodies of work live on in public domains such as in art museums, on shelves in libraries and bookstores, and in oral history stories.
The first living history presentation featured artist Rita Kahlo. Learning about her personality and traumatic occurrences throughout her life helped me to understand her art. There is little doubt both became artistically rendered through her craft. Her painting sustained her through difficulty and tragedy. There is more about this performance on this blog post called Interpreting Art and Life.
The 2nd in the series was about the life of painter artist Georgia O’Keefe who is most frequently associated with her images of stunning poppies and her studio and residence in New Mexico. Here is an article I wrote some years ago on allthingsfulfilling.com after visiting the O’Keefe museum in Santa Fe. O’Keefe’s life was long, she lived to nearly 100, so there was plenty I wasn’t aware of which was brought out in Colleen Webster’s oral portrayal of the artist.
The subject of the third living history performance by Colleen Webster was about author and poet Dorothy Parker. Like Kahlo and O’Keefe she too was born before her time. It took enormous vulnerability on the part of all three to pursue their art and live so independently and so differently than others of their gender in their day and age. The women all lived lifestyles that many would describe as gutsy, rash, reckless and irresponsible. Yet, it was their love for their art that kept propelling them forward. O’Keefe freely admitted “she was scared every day of her life,” but pursued her passion anyway. How’s that for unstoppable and driven?
I’d like to thank the Harford Artist Association for bringing these very memorable performances to our community. For more information on other living history presentations by Colleen Webster and her schedule of events, please visit her website.
According to an article about intentional creativity, art is derived from our communications with ourselves. From these oral presentations, the audience could better understand each artists life and how the fulfillment of it was translated into their art. The “Red Thread Chronicles” articulates stories of the power of art on women’s lives globally. Check it out.
“To create one’s world in any of the arts takes courage.” ― Georgia O’Keeffe
I recently revisited the 1861 Greek Revival building in Stowe, Vermont which is shared by the Stowe Free Library and the Helen Day Art Center, a non-profit arts education organization “deeply committed to eliminating socioeconomic barriers by bringing a comprehensive education program into the Gallery and out into community. “
The establishment of this multi-use space in 1981 has done much to bring art appreciation to a town which, at one time, was primarily visited for it’s ski culture.
The black and white photographic exhibit I visited displayed the works of Dona Anne McAdams.
I couldnt help but notice how the pictures of avante-garde individuals, social justice and poignant every day life were so similar to the kinds of images photojournalist Cherel Ito chose back in the 1960s. In my eyes, if Ito was still alive she and McAdams would be kindred spirits. Ito’s photographs now live on at the National Women in the Arts Museum in Washington D.C.
Here is a very small sampling of McAdams photos which I enjoyed because the viewer can find the story in each of them.
A few Saturday’s ago was celebrate Independent Bookstore Day. In many states COVID-19 has restricted the opening of brick and mortar stores over the past 6 months but regulations have relaxed just a little allowing a celebration with social distancing. Many bookstores held sidewalk celebrations.
As I participated in a book signing in Bel Air, MD I couldn’t help but think how selling books by e-commerce and also the development of electronic books (e-books) and audio books were made for a time such as this. Had it not been for the vast changes in the publishing industry over the past 12 or 15 years, bookselling would have come to a complete and utter screaming hault during these challenging times.
It felt so good to be able to participate in a bookselling event and to meet and greet other authors who share a passion for writing.
Here’s a few images of Independent Bookstore Day in 2020! Books are already being written about this unique time in history.
I just read a book by Rubi Ho called The Thrival Guide to Work and Life. Briefly, Rubi Ho is an expert at organizational change and an Executive Business Coach. His talents are especially valuable in this day and age when corporations everywhere are looking at change or overhauls due to the pandemic.
Along with sharing many achievable tips, his book paints an abstract of his early childhood as an orphan and how he became a successful business person working with Fortune 500 companies and living a fulfilling life. The tools he used to become successful endorses the idea that education is not always the key ingredient for a thriving life.
The biggest takeaway for me was Rubi Ho’s assurance that limitation, lack of resources and challenge early in life often lays the foundation for learning critical thinking skills and problem solving which can be greatly used to one’s advantage. Knowing oneself and using ones own innate gifts and lessons learned through real life experience leads to thrival. Quang Ho, his brother, a world renown artist is sited as an excellent example of someone who followed his heart for art even though he knew the big challenges he’d face trying to rise to an elite level of accomplishment.
The book is so filled with strategies for both personal and professional achievement that it is best read in it’s entirety.
Rubi Ho, best wishes to you for thrival in your publishing endeavors. You have much of value to share.