We knew her best by her spoken words. They were powerful and carefully verbalized and written to build bridges, not divides.
As with most authors, with each publication I’ve penned, I’ve had “Angels Across the Fence” who have helped sell books by recommending my publication as being a “good read.” Some of those angels, I’ve known exactly who they are because they’ve told me they passed the word on about my writing. And to those I do not know, I am extremely grateful for their recommendation to their friends, neighbors and other book lovers.
We all need cheerleaders in our lives so, when I see an artists work in other mediums I really like, I enjoy sharing with others. One such artist I met last week at The Farmers Daughter in South Kingstown, Rhode Island. She was out for a splendid day of plein air painting. We had a very pleasant conversation and from what I could see from her yet to be finished watercolor, she has much talent. Patricia Varon mentioned she maintains a studio in Wickford, RI and she gave me her card which was devoid of a website. I located her website, however, little information was available. It could be that it is still in development. I suppose I should not have been surprised.
“For a long, long time,” she said, “I was unable to do what I really wanted to do, and now I can paint every single day, and I do! She essentially said she really doesn’t want to spend time with anything other than her brushes, paint and easel and her painting group. They paint in all kinds of weather outdoors but if it is really nasty they head to Providence to the Botanical Center which is New England’s largest glasshouse display garden in the heart of Roger Williams Park.
“You ought to go to Wickford, she said. It is such a charming little village with a beautiful harbor and other artists.” It was on my sister’s list of places to take me, so we did and had a delightful time.
After my chat with Patricia Varon, I became a bit pensive when I thought about how many very talented artists go undiscovered. I hope she is not one of them, so, the least I can do is be an angel across the fence and post this picture of her at The Fabulous Farmers Daughter, which provided a wealth of perfect spots to paint from.
Pleased to meet you Patricia Varon! I sure enjoyed our conversation about your watercolor and pastel art. And Wickford was every bit the picture you painted for me through your words about the charming community! More about Wickford, Rhode Island to come!
Once Upon a Canvas there was white space. And three hours later, the canvas looked quite different. Here is Part 1 of what happened….
But first… let me set the scene.
Location: The Liriodendron Mansion, Harford County, Maryland. Summer home of Dr. and Mrs. Howard Atwood Kelly, one of five founding physicians of the venerable Johns Hopkins Hospital in Baltimore, MD. Built in the late 1800’s.
Weather: 8:30 am – 75 degrees. At the end of a three hour painting session, 92 degrees. Clear, sunny skies. A chorus of crickets loudly chirping in the background warning of summer’s end. The odors of the oil paint lingering, hanging heavier and heavier under the large portico and the ancient shade trees as the heat and humidity built.
A very patient semi-professional model – Dani Kurta all costumed in more clothing than anyone would be comfortable wearing on any hot summer day.
Props for the Artists: Easels, Pocade Boxes, oil paints and brushes, pastels and miscellaneous art supplies.
Props for the Model: Period clothing, an antique parasol (can’t forget that accessory on a steamy, sunny summers day) and a lovely fan! Proper lighting. And a wardrobe assistant or stylist (Dani Kurta’s mom!).
Sideliners An onlooker who adores art in all it’s forms! Including writing about it, yours truly, Sue Batton Leonard
The story continues below the image. Don’t miss it—
I arrived on the scene early, in time to see the artists spread their drop cloths, position their easels, get their supplies out. In the background the wardrobe assistant helped the model primp and preen and get ready for her three hour session. Decisions were made whether to use both the parasol and fan, how to position them for the best affect. Adjustments were made to the placement of the model’s chair and how the model would most comfortably hold the parasol so the entire weight would not be in her hand. After all, the antique parasol is weighty with a wooden handle and wooden spokes and the fabric is heavy, not like today’s umbrellas made of lightweight steel and nylon.
As the artists continued to set up, all I had to do is tune in and listen to their artists talk about the length of each session (20 minutes of painting then a 5 minute break for the model.) They also conversed about the supplies they were using, and many other matters of painting and exhibiting artwork. Then the lighting was turned on adjusted to a likeable warmth.
Please return to AllThingsFulfilling.com on September 6, 2021 for part two of Once Upon a Canvas brought to you by Sue Batton Leonard from The Liriodendron Mansion. Don’t miss it, there will be lots of colorful pictures!
My love for books and art often leads me to visiting the local library and local fine art and craft galleries when I travel. It is fun for me. My ten year residency in Colorado kept me somewhat in tune with Western art. When I was in Montana this summer, it was fun to revisit the works of artists who are located in the western part of the country,
I witnessed how very young children can enjoy art, too! I walked into the Rialto Theatre in Bozeman, MT and abstracts of horses greeted me. “Neigh, neigh!” a dear little sixteen month old girl, my new grand daughter whom I have finally met, shouted out as she pointed to the equines in the pictures! Frankly, I was surprised she recognized what it was in the abstract. But even the littlest ones, they often don’t miss a thing!
Once finished with the exhibit at the Rialto, next stop was a fabulous fine art gallery on Main Street I had heard of but had never visited before -, Montana Trails Gallery. My daughter-in-law, Meghan, my granddaughter Charlotte, and I had a grand time looking at the exquisite collection and stayed as long as a toddler could tolerate being contained in a backpack.
Once again, my little granddaughter shouted out “neigh, neigh” when she saw the horse paintings and bronze sculptures, “Baa-baa,” she said to the sheep in the pictures, and “moo-moo” to the cows. Ok, in her sixteen-month old experience and opinion, the “doggies” were mislabeled as wolves and foxes. Ah well…perhaps next time we return the labels will be corrected, I think in jest, with a big smile on my face as I remember her sweet little voice calling out to all the “doggies,” and her hands pointing to them as we walked through the gallery.
And lastly during my visit, my son and I took in the art scene at the Bozeman Art Museum. Unfortunately, with my faulty calendar reading we missed the plein air “paint out” two days prior. But on Monday,we did catch up and saw all the works of the Rocky Mountain Plein Air Painters hanging, still wet with paint, at Bozeman Art Museum. I was familiar with a few artists such as Dave Santillanes, from working at the world-class Wild Horse Gallery in Steamboat Springs a few years ago. And the work of Chuck Marshall was familiar as well as Kathy Anderson, who is now represented by West Wind Fine Art, LLC, another superb fine art gallery where I worked when it was in Vermont. If you’d like to see the results of the canvases from the two hour “paint out,” I invite you to visit this link I have posted. Some of the paintings are still available for purchase.
Now, I’m back to East Coast art, which I enjoy immensely too! With the diverse landscape and culture in the United States of America, opportunities abound to share all kinds of art with the next generations. Sydney Gurewitz Clemens once said, “Art has a role in education of helping children become like themselves instead of more like everyone else.” I wholeheartedly agree!
As a life-long library patron, anytime I visit a library I have never frequented before, it’s like library week all over again. I recently visited one in the western part of the U.S.
Bozeman, Montana has a wonderful library. A good indicator of valuing future generations is a willingness to invest in good community resources for learning, information and gathering spaces which inspire discovery.
Located in the fourth largest city in Big Sky Country, the Bozeman Library is light-filled! In a place where winter is long and cold, an active library where one can find connection through book groups, children’s reading programs, at the library coffee shop and at special library sponsored events, is well appreciated. Sometimes getting involved in library activities can become a “life-saver” for those feeling disconnected or isolated.
Art abounds both in the interior and on the surrounding grounds of this and other public libraries around the country.
Through books, we are given the opportunity to fly off to places and meet people we ordinarily wouldn’t! So never discount the value of books and the importance an author feels to engage with others through the written word.
Over the past six weeks, I’ve enjoyed three living history presentations given by Colleen Webster. These events were sponsored by the Harford Artist Association and were well attended. Ms. Webster makes an art out of telling stories about creatives of long ago who left their mark on this world. Thanks to the ephemera they left behind and the protection of copyright laws, their bodies of work live on in public domains such as in art museums, on shelves in libraries and bookstores, and in oral history stories.
The first living history presentation featured artist Rita Kahlo. Learning about her personality and traumatic occurrences throughout her life helped me to understand her art. There is little doubt both became artistically rendered through her craft. Her painting sustained her through difficulty and tragedy. There is more about this performance on this blog post called Interpreting Art and Life.
The 2nd in the series was about the life of painter artist Georgia O’Keefe who is most frequently associated with her images of stunning poppies and her studio and residence in New Mexico. Here is an article I wrote some years ago on allthingsfulfilling.com after visiting the O’Keefe museum in Santa Fe. O’Keefe’s life was long, she lived to nearly 100, so there was plenty I wasn’t aware of which was brought out in Colleen Webster’s oral portrayal of the artist.
The subject of the third living history performance by Colleen Webster was about author and poet Dorothy Parker. Like Kahlo and O’Keefe she too was born before her time. It took enormous vulnerability on the part of all three to pursue their art and live so independently and so differently than others of their gender in their day and age. The women all lived lifestyles that many would describe as gutsy, rash, reckless and irresponsible. Yet, it was their love for their art that kept propelling them forward. O’Keefe freely admitted “she was scared every day of her life,” but pursued her passion anyway. How’s that for unstoppable and driven?
I’d like to thank the Harford Artist Association for bringing these very memorable performances to our community. For more information on other living history presentations by Colleen Webster and her schedule of events, please visit her website.
According to an article about intentional creativity, art is derived from our communications with ourselves. From these oral presentations, the audience could better understand each artists life and how the fulfillment of it was translated into their art. The “Red Thread Chronicles” articulates stories of the power of art on women’s lives globally. Check it out.
“To create one’s world in any of the arts takes courage.” ― Georgia O’Keeffe
I recently revisited the 1861 Greek Revival building in Stowe, Vermont which is shared by the Stowe Free Library and the Helen Day Art Center, a non-profit arts education organization “deeply committed to eliminating socioeconomic barriers by bringing a comprehensive education program into the Gallery and out into community. “
The establishment of this multi-use space in 1981 has done much to bring art appreciation to a town which, at one time, was primarily visited for it’s ski culture.
“The Helen Day” is one of 45 Vermont Museums and Galleries which make up the Vermont Curators Group.
The black and white photographic exhibit I visited displayed the works of Dona Anne McAdams.
I couldnt help but notice how the pictures of avante-garde individuals, social justice and poignant every day life were so similar to the kinds of images photojournalist Cherel Ito chose back in the 1960s. In my eyes, if Ito was still alive she and McAdams would be kindred spirits. Ito’s photographs now live on at the National Women in the Arts Museum in Washington D.C.
Here is a very small sampling of McAdams photos which I enjoyed because the viewer can find the story in each of them.
We are pleased to announce a biography about Richard Galusha called “An Artist’s Journey,” written by Sue Batton Leonard is a 2020 Eric Hoffer Book Award Finalist. The narrative tells the story of the unique influences that drove Galusha’s passion for the arts from childhood to amateur artist to arts educator to professional artist to gallery owner.
- The book is available for purchase through http://www.WildHorseGallery.com.
Today’s blog post is written in honor of artist Richard Galusha, a Colorado Artist who I am so very excited for. Galusha Studios has a new publication hot off the press. Although giclee prints of Galusha’s vast collection of original artwork have been published, there has never been a book about the artist’s life and his work. Here is more about “An Artist’s Journey: Richard Galusha.”
When you are a prolific painter like Richard Galusha, at some time in one’s long career, an artist’s collectors are interested in seeing a Retrospective Show. This means gathering a lifetime of the artist’s work for the public to view.
In the year 2020, two separate exhibitions will hang in art galleries in the United States giving collectors the opportunity to see nearly every canvas of Colorado artist Richard Galusha. The Steamboat Art Museum, in Steamboat Springs, Colorado is currently playing host to Galusha’s Retrospective Show until April 11, 2020.
On May 11, 2020 a second exhibition, will open in Abiline, Texas at the Center for Contemporary Arts. Paintings from the Wachter and Bradley collections comprise most of Galusha’s art being showcased for the month of May. Paintings include western art as well a varied mix of landscapes from mountains to oceans and faces of people from all over the world. The oils are representative of the wide range of the artist’s talent.
Many art aficionados and collectors are eager to know about the background of an artist whose work they are viewing and purchasing. Thus, Galusha Studios offers a newly released book which compliments the two Retrospective shows and allows the art enthusiast to have a more meaningful experience. “Through the very personal biography included in “An Artist’s Journey” and the art in the book, one feels he or she knows the artist more intimately,” says the author of the publication, Sue Batton Leonard.
The hardcover 12” X 12” coffee table sized book has two-hundred-twenty-eight pages of paintings in full color. Art educator, painter and Colorado art gallery owner Galusha’s retrospective exhibition catalog also incorporates photographic images of unique lifetime experiences he’s had that many people only dream about. For instance, says Sue Batton Leonard, “a fortuitous meet-up with a football legend presented the artist with the opportunity to paint the athlete. What a thrill for Galusha who as a young man on the high school football field held the quarterback in great regard and wanted to be like him some day. The artist has had a storied career well worth writing about.”
Richard Galusha: An Artists Journey, allows the reader to walk through the door into the life of the painter from the time he was a child and spend time with his family. The biography covers his life until present day. The author states “If you have ever wondered why an artist becomes an artist, this biography is for you.” Galusha’s narrative is as entertaining as it is informative. The West Texas boy was raised in a large colorful family and as the story unfolds one begins to connect his heritage and his familial environment with how it has influenced him to live life “the artists way.”
For twenty years as a teacher this artist passed on his knowledge to his high school students and gave them an understanding of what it really takes to be an artist. His impressive design of a well-outfitted art department and classroom is a great example of how Galusha puts his professional best into everything he has ever done. What better example could his young students have had in seeing how one develops an admirable art career?
From reading the biography one will understand why Galusha connects with the subjects he paints, whether it is a landscape, a portrait, or wildlife. He has traveled the world, often far off the beaten path. His biographer says, “Once he is smitten with what he is seeing and experiencing, he prefers to capture it immediately on canvas “en plein air” rather than in his studio.”
Those with an appreciation for art and the creative life who are unable to travel to the Retrospective shows will enjoy looking at the treasure of images between the covers of the publication and reading about “Richard Galusha: An Artists Journey.” Ahhh…the beauty of a colorful art exhibition catalog that can be ordered by calling 970-819-2850 or (970) 870-1755.
That’s all for today from AllThingsFulfilling.com! See you back here soon as we go roaring into 20’s!
“We are the creative force of our life, and through our own decisions rather than through our conditions, if we carefully learn to do certain things, we accomplish goals.” ~ Stephen Covey
It’s the season of Thanksgiving. Ten years ago I had limited knowledge about independent publishing and I had never written anything. But I had a strong interest! If it hadn’t been for the fruits of my labors over a span of the last decade, there is no way a project that will soon come to fruition would have landed in my lap! A year ago I became entrusted to write someone else’s story. I am honored and thankful! The publication is going to be outstanding.
Truly, it takes just as much action as it does words when it comes to becoming a writer and independent publisher. Nixing fear and doubt and replacing it with unwavering faith and the words “I AM WRITING AND PUBLISHING A BOOK” (rather than I am trying to) makes a big difference in ones determination and motivation to get the job done, project after project.
The opportunity came on the heels of taking a break from any serious writing time because for a season in my life I became full-time caretaker to two terminally ill parents and it reinforced my belief in the power of writing to heal from loss and bring personal fulfillment.
The narrative was so much fun to write! I know the artist is looking forward to revealing his new publication and it will soon be hot off the press! Keep your eye out on this website, soon more information will be posted.