Songs of the Laborers

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Do you ever have those days where you need an encourager to walk the road with you? The other day I found such a person in a very unexpected place. She was up on a roof and completely unaware of the impact she was making.

Here’s what happened. About a week ago, I walked slowly through the streets of a neighborhood, my pace was slower than usual because it was only 7:30am and it was already hot. That day it reached 93 degrees. Most people with common sense would probably not purposefully venture out in it. But, I was determined to get my daily steps in.

As I neared a house, I heard a woman’s voice and I couldn’t figure out where it was coming from. Finally, as I grew nearer, I identified what it was. A house was being re-roofed, and the only female of the crew, was singing a spiritual song, it’s rhythm syncopated with the banging of the hammer.

Songs in the workplace have long been part of many culture’s history – from those of the industrial workers making garments, to sea shanties of fisherman, to field workers pulling tobacco for harvest, to those who sang “I’ve Been Working on the Railroad.”

As I walked on, I considered the singing worker’s role. Was the woman the spark that helped drive each and every worker? Was she innately called to be an encourager? Were the spirituals she sang deeply ingrained in her from her ancestral history? Her song motivated me to keep moving forward and gave me new perspective on the task I had set out to do in the heat of the morning. Surely it was not as hot for me, as it was up on the roof in the blaring sun. I was able to dip in and out underneath the shade trees lining the street, but it was not to be for her and her working companions.

“Some of the greatest sermons that have ever been preached were preached by the singing of a song.” —Spencer W. Kimball

 

 

Glorified Music

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The way I see things, enriching the fabric of a community is it’s thread of cultural offerings. And in this county where I live, there is a real appreciation for all forms of art. On Sunday before Thanksgiving, I attended a concert that wove music and the fabric arts together for a lovely evening. The setting of St. Ignatius Roman Catholic Church in Hickory, MD magnified the event further. The church squares the block with it’s gorgeous tall, gold-domed presence. And colorful handmade quilts stitched by Flying Geese Quilters Guild were displayed across backs of pews and at the front of the church.

The musical program of the evening stitched together themes of all the things a life filled with goodness should include. The opening composition of the program had commissioned lyrics written for it, titled “Fabric of Gratitude.” Each one of the other songs was sensitively chosen for the stories they told, many remixed, patching together some of the complexities we face throughout our lives. But the words and music of Annie Lennox and Craig Hella Johnson tell how there is beauty even in brokenness in 1,000 Beautiful Things. But Thanks be to God, even in brokenness, there is always hope for rebirth. The music of George Frederic Handel from “Messiah” told of this truth.

Measure me Sky! Told of possibilities, dreams and adventure which was a great segue into the next part of the program which included the Deer Creek Youth Choirs who sang of what childhood ought to be filled with – joy, laughter, nature, finding independence and finding purpose. However, purpose may come at anytime, even in later years, with wisdom, acceptance and truth.

One of my personal favorites incorporated the words of Mark Twain and it was sung by the children. The humor in it hit my heartstrings, because I identified so strongly with the words on several levels. “My mother had a great deal of trouble with me, but I think she enjoyed it.” Thanks be to God, the challenges did not last a lifetime. Two other favorite compositions, about literature/bold adventures and A Welsh Prayer, music by Paul Mealor and words by Grahame Davies told of the spirit of giving and service. The prayer was sung with accompaniment of soloists, as were a few other songs. Make Our Garden Grow (from Candide) spoke of family heritage and making sense of life.

The final composition How Can I Keep from Singing by Robert Lowry arrangement by Daniel McDavitt focused on hope; the perfect ending to anything! As it’s been said, “Always walk on with hope in your heart.”

The two partnering organizations, Deer Creek Chorale and Flying Geese Quilters Guild, presented a rich interweaving between craft and song. Thank you to both and also to the Harford County Cultural Arts Board, Maryland State Arts Council and to the Citizens of Baltimore County who made the memorable event possible.

‘The final aim and reason of all music is nothing other than the glorification of God and the refreshment of the spirit.‘ J.S. Bach

Mid-Century Musical Theatre

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 Julie Kurzava who holds a Masters Degree in Voice and Opera from Peabody Institute of Johns Hopkins University held a three-part lecture series in Bel Air, MD.  A woman of many talents, she is a singer, actor, voice teacher, lecturer and teaching artist. She is also Founder and Director of New Moon Theatre Company. She shares her love for musical theatre through many platforms!

The attendees were given insight into three of the most beloved mid-century musicals ever written – the King and I, My Fair Lady and Music Man. Much of the information Julie related only an individual who is well-studied in this genre of performance art would know because she’s so well-researched the subject. Her background information on the songwriters and anecdotal stories of having performed some of these roles, live on stage, added a personal touch to the lecture as did her small lilts of the show tunes in her own, gorgeous well-trained voice.

We explored the difference between mid-century musical theatre and the shows that are on Broadway in this day and age. What has kept the mid-century musicals on stages, regionally and in communities, over the ages when their runs on Broadway were so short compared to Broadway hits of today? She informed us of some of those reasons. As she pointed out “when the dialogue from songwriters become cliché, you know the lyricist has arrived!” Yes! Lerner & Lowe, Meredith Willson and Rodgers and Hammerstein have left their mark on theatre stages everywhere for many decades.

At the end of the third lecture, Julie asked if anyone had any comments. One of the attendees said, “Musicals make you think you can sing!”  If you are one who grew up in the golden age of musical theatre, consider how many times you may have sung in your head or aloud “Pick-A-Little, Talk a Little,”  “Shall We Dance“, “To Dream the Impossible Dream” or “Wouldn’t it Be Loverly?” 

Thanks to the support of the Bel Air Arts & Entertainment District and the Maryland State Arts Council we were fortunate to have this very worthwhile lecture series brought to our town. I do hope Julie can return and speak about some of the other most beloved musicals from the same era.

 

A Musical Canvas

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St. Ignatius Church, Hickory, MD

A beautiful venue always adds to the experience when art of any kind is on display. St. Ignatius Church in Hickory, MD did not disappoint. It was where The Deer Creek Chorale, a multi-generational choral group exhibited their vocal talents late last Sunday afternoon. The singers, comprised of more than eighty members, from Baltimore and Harford County as well as a few voices from southern Pennsylvania have entertained not only in Maryland but at The Forbidden City Concert Hall in Bejing and Carnegie Hall and other impressive venues.

The non-profit organization is under the direction of Martha Banghart and her artistic staff which includes Julie Culotta, who founded the Deer Creek Youth Group nearly seven years ago. Now, youngsters age fifteen and over can have their interests and talents in the musical arts nurtured through the multi-aged group. As the audience “walked the rainbow trail” with the youth singers, lyrics encouraged others to be colorful, be bold and powerful, but most of all BE YOU! The youngsters are not just walking the walk, they are talking the talk as they learn by doing and being involved with what strikes their passions, choral singing.

The music of the evening brought a broad spectrum of compositions, many of which had colors in their titles such as Bein’ Green and Orange Colored Sky, sung by the youth. Deep Purple and A Red, Red Rose, True Colors and The Blue Ridge were a only a few sung by the adults. There were a few lively songs, but never riotous, such as Build Me Up Buttercup and a Big Yellow Taxi, sung by The Lady’s Six +1.

Susan Zantop, who is also a member of Deer Creek Chorale and Cultural Events Coordinator for the Maryland Center for the Arts, did a fine job of narrating which brought context to the music and how it tied into the visual arts portion of the program. Two award-winning artists, Joan Hodous and Bill Rothenbach presented their two paintings for silent auction, a oil and acrylic on canvas, respectively. The painters also provided commentary on their vision of what they brought to the canvas. Joan Hodous’ landscape was of Blue Ridge Mountains in the background flowing down to a hilly pastoral scene in the foreground. The colors on the canvas were subdued autumn hues. On the contrary, Bill Rothenbach who is a painter of abstract impressionism, his painting looked like a clash of fireworks of red, white and blue, which was a foretelling of what was to come next in the program – a patriotic melody of tunes. I was particularly struck by the masterful selection of voices which at one point sounded like fifes playing in the background of a 4th of July parade.

My impressions of “The Musical Canvas” were many but they can be summed up in just a few more words, “the concert was a wonderful respite before the busy winter holiday season sets in.”

As if the evening was not enough, when I walked out into the blustery air, the bells of the church pealed out “Amazing Grace” and it was indeed, a beautiful ending to Sunday performance of a fabulous community chorus, The Deer Creek Chorale. Thank you to the Maryland State Arts Council and the Harford County Cultural Arts Board for making the evening possible through their generous grants.

Unfinished Business for MLK

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“You will never say goodbye to the past, until you understand why the flashbacks haunt you.”Shannon L. Alder

Today on All Things Fulfilling, we’ll celebrate the birthday of one of the most influential civil rights activists of all time, Martin Luther King. His work to erase racial segregation and racial equality for all was tireless. Sadly, his unfinished business in Memphis is still a work in progress in our country.

We’ll take a trip through images to Memphis, Tennessee situated along the Mississippi River. The city’s cultural roots run deep and it’s known for his rich music heritage. Beale Street abounds with eateries of it’s famous barbeque and sounds of rhythm and blues, gospel, jazz. It’s also known as the birthplace of rock and roll.

The Orpheum Theatre is historically significant and today it plays an important role in educating children. Their belief is that “when kids find art, they find themselves.” Many celebrities have performed in this theatre whose beginnings date back to 1890, when it was then known as the Grand Opera House. In 1907 it was renamed at The Orpheum.

Memphis 57 signed

orpheum horse and carriage 2 (best one) signed

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WC Hand sign at museum signed

Beale Street signed

nat d williams first black radio announ

BB King books signed

miss pollys neon sign signed

blues cafe signed

 

girl sitting on window sill signed

Tragically, Martin Luther King’s life ended on April 4, 1969 in Memphis, Tennessee during a time of racial tension and upheaval. It was a period of unrest in my own life also. I write about this time in Chapter 21 Someone to Watch Over Her in my memoir Gift of a Lifetime: Finding Fulfilling Things in the Unexpected.

This blog is brought to you by award-winning author Sue Batton Leonard.

The Afterglow of Success

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Start by doing what’s necessary, then what’s possible, and suddenly you are doing the impossible.” -Francis of Assisi

The last of a three part blog about author/playright Jorge Avila will be featured on All Things Fulfilling today. Before Christmas I interviewed Avila about his newfound sucess as a playright. To read the beginning of the interview, please go to from Local Author to Playright and Advancing the Story.

Sue: So what does it feel like now that you have stepped away from all the excitement of seeing your musical played out on stage?

Jorge: There is a little bit of sadness and a let down because it is easy to get carried  away with all that goes with on in the world of L.A.  But we aren’t done yet. My vision for this musical is even more than that.  I have been offered a huge opportunity at the end of September and the first two weeks in October. The production will return to California as part of at the Hispanic Heritage Festival. For four weeks, in four different districts, I am told that 3,000,000 to 4,000,000 people will attend the festival annually. Do you believe that?

Sue: And I understand you received special recognition during the three day run of the musical. What night was that?

Jorge: On the  middle night of the performance, I and the director and musical composer, Caleb Encampos, were each given certificates of award from the City of Los Angeles for work in advancing the arts. It was very exciting.

Avilas certificate from City of LA

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Sue: What can you attribute to the success that you have had with Maricopa Men in Pink?

Jorge: It was a long five years but I never stopped believing that I had a quality product and it was a matter of getting it into the right venue or environment.

Sue: What’s on the docket for the future? 

Jorge: I have two more musicals I am working on and a book but, I would like to do something more with the local high school here in Steamboat. They did a Powerpoint presentation about my book’s storyline with the English as a Second Language (ESL) students. I’d like to put together some sort of workshop. We will see, I’ll have to put more thought into that. And I’d like to take the musical to Chicago. That’s where I’d  really like to see it.

Sue: You have been in a whirlwind for six months or more. Perhaps with a little time off, your visions will become more clear. Now that you have stepped away into a quieter environment, here in Steamboat, you can ponder it.

Before Jorge and I said our goodbyes  I told him how he is a shining example for other independent publishers to press on and not to give up. Although he mentioned feeling a little let down now that things were over, I saw a huge afterglow of success on his face and in his exuberant voice.

Do return to All Things Fulfilling tomorrow when we begin the countdown till the New Year! We will be fulfilling 2016 with new possibilities and opportunity!

Advancing the Story

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We need to look hard at the stories we create, and wrestle with them. Retell and retell them, and work with them like clay. It is in the retelling and returning that they give us their wisdom.Marni Gillard

Avila and wife MaribelLast week I sat down with author and playright Jorge Avila, a member of We Write Steamboat, to discuss the gigantic leap of success that he has just experienced. To read a short summary of his musical, please go to the blog from last Thursday.

(Photo left: Jorge Avila and his wife Maribel)

Jorge had just returned a week previously to his hometown of Steamboat Springs, Colorado from a very busy six months in California. His live theatre musical, adapted from his book Maricopa Men in Pink had a three day run at the Plaza de la Raza, Cultural Center for the Arts & Education on Mission Road in Los Angeles. Avila was ebullient as he answered the questions I had for him to learn more about his experience. Here is part of our discussion about going from local author to playright in a very short few years:

Sue: Jorge, when was Maricopa Men in Pink published? 

Jorge: In 2010 it was published. A short time afterward I sent it off to a friend who is a stage designer in L.A. to get his opinion. He reviewed it and gave me some feedback about adapting it for a play. I decided that my vision for the work was a live theatre musical production. So I rewrote it exactly 2 years, nine months ago in script format along with song lyrics. Caleb Encompos, a resident who helps with the music program at the Christian Center here in Steamboat, composed the music to accompany the lyrics. I approached the Chief Theatre here in town, but it didn’t seem to be the right venue. So,then we sent it off to three production companies in California. 

Sue:  So, what was the response? 

Jorge: I’d like to say that there have been few  Latino or controversial political musicals that I am aware of other than In the Heights and Hamilton and the Book of Mormon. So I was happy to even get a response and it was positive response from two of them. I chose one of the production companies that I felt best understood my vision. I was offered a small sum of money from the production company, but I took half of that because I wanted to be directly involved in the entire process, so that the final product would be what I envisioned.

So, I began over the next six months going to L.A. one week out of every month. For the next six months, Caleb Encompos and I chose vocalists and actors for the live musical production. Once we heard my lyrics put to music and saw it performed by the actors we had chosen, there were some tweeks that were made before the opening.

Sue: So, tell me about the three night run.

Jorge: The turnout was outstanding compared to what I had anticipated. I was told for an unknown author/playright, typical sales would be 60% of the seats. The first and third nights we had 95% of all tickets sold, and the middle evening 75%. Surprising, considering I read in a New York Times article that out of 318 million Americans, 58 million agreed with Sheriff Joe Arpaio’s handling of inmates in Tent City Jail in Arizona. Seventy eight million disagreed, and the whole rest of the population knew nothing about the news story.

Sue: How did that feel? To see your musical come before live audience like that?

Jorge: Surreal! I feel flattered and proud but it was very stressful. I even started up a bad habit – smoking. I hadn’t smoked in six years and I ate too much and gained a little weight.

The musical was even mentioned on National TV on Spanish stations. While we were waiting for the production to begin on opening night, I stepped outside and there were 120 people in line to get a ticket – to my show! I couldn’t believe it and I counted every one of them!

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The rest of this interview on All Things Fulfilling will be posted the week after Christmas. Do return because we will be talking about Avila’s rewards in terms of personal fulfillment which were a result of his determination, persistance and his belief that what he had was fitting for a quality live musical production that still has great potential for future audiences. We will be sharing more about his special award from the City of Los Angeles also!

This blog is brought to you by Sue Batton Leonard, EVVY award-winning author of Gift of a Lifetime: Finding Fulfilling Things in the Unexpected.

 

 

Local Writer to Playright

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A culture is made –or destroyed –by it’s articulate voices. ~ Ayn Rand

Jorge Avila, a Mexican by birth, moved to the United States in 1995. Since then he has become an author of two books Suriana and the Sulphur Cave and Maricopa Men in Pink. The later is a controversial story about prisoners in Arizona and “Sheriff Joe” known in the media as “the toughest sheriff” around. He sentenced two thousand convicts to serve their sentences in pink underwear and handcuffs for better accountability. The macho men probably could not have been more insulted!

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Christmas came early to Avila, a member of We Write Steamboat our independent publishing network group, when his first publication Maricopa Men in Pink was  adapted as a musical and came to live theatre in Los Angeles. It had an extremely successful run with nearly booked houses each evening.

Stay tuned to All Things Fulfilling on Monday because we will be featuring an interview with him about what it has been like to go from local writer to a playwright within a very short few years. Avila was recently recognized as a person who has helped advance the arts in the LA area.

This blog is brought to you by author Sue Batton Leonard.

Ring in the Season

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I am thinking of Christmas bells today and how they traditionally herald in the season. There are many song lyrics sung by carolers that incorporate a story of tolling bells.
When I think of bell choirs, which are a beautiful addition to any church service, I can’t help but think of my lifelong friend Marge and her husband. Their acts of love in remembrance of their child is a lovely gesture that echos year after year in my heartstrings. Jessie suffered from a heart ailment and when she passed away as a tiny infant, the family requested that donations of kindness be given toward buying bells to build a bell choir for a church.

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On Christmas and Easter and a few other times throughout the year, Marge and her husband and their two surviving children ring the hand bells at their church in memory of Jessie and all the other children who are not here to celebrate Christmas and other holidays with their families.

Today I think of all the bell choirs who bring joy to people during the holiday season ~

“A bell’s not a bell ’til you ring it – A song’s not a song ’til you sing it – Love in your heart wasn’t put there to stay – Love isn’t love ’til you give it away!”
Oscar Hammerstein II

This blog is brought to you by Sue Batton Leonard, EVVY award-winning author of Gift of a Lifetime: Finding Fulfilling Things in the Unexpected.

 

 

A New Musical: Allegiance

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Human spirit is the ability to face the uncertainty of the future with curiosity and optimism. It is the belief that problems can be solved and differences resolved. ~ Bernard Beckett

allegianceHave you heard about the  American story now being played out on Broadway? Allegiance is a real and important tale of the Kimura family who came to America after World War II and the bombing of Pearl Harbor. Similar tales of family bonds, duty and defiance, hope, loyalty and the power of the human spirit could be told by 120,000 other Japanese-American families who fled their country in search of a new tomorrow in the United States of America.

George Takei and Tony® winner Lea Salonga star in this live theatre production. To read more about this live musical production, visit the website.

See you tomorrow on All Things Fulfilling.

This blog is brought to you by Sue Batton Leonard, award-winning author of Gift of a Lifetime: Finding Fulfilling Things in the Unexpected and Lessons of Heart & Soul.